状態可状態詳細2枚組み、スリップケース付中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら曲目リストDisc11.Pigs (DISC 01)/2.How I Could Just Kill A Man/3.Hand On The Pump/4.Hole In The Head/5.Ultraviolet Dreams/6.Light Another/7.The Phuncky Feel One/8.Break It Up/9.Real Estate/10.Stoned Is The Way Of The Walk/11.Psycobetabuckdown/12.Something For The Blunted/13.Latin Lingo/14.The Funky Cypress Hill Shit/15.Tres Equis/16.Born To Get Busy/17.I Wanna Get High (DISC 02)/18.I Ain't Goin' Out Like That/19.Insane In The Brain/20.When The Shit Goes Down/21.Lick A Shot/22.Cock The Hammer/23.Lock Down/24.3 Lil' Putos/25.Legalize It/26.Hits From The Bong/27.What Go Around Come Around, Kid/28.A To The K/29.Hand On The Glock/30.Break 'Em Off Some

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発売年月日：2001年05月15日

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発売年月日：2001年05月15日

EANコード：0788872243427■通常24時間以内に出荷可能です。
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発売年月日：2001年05月15日

EANコード：0683519002927■通常24時間以内に出荷可能です。
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■万が一品質に不備が有った場合は、返金対応。
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■商品状態の表記につきまして・非常に良い：　　非常に良い状態です。
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EANコード：0683519002927■通常24時間以内に出荷可能です。
■ネコポスで送料は1?3点で298円、4点で328円。
5点以上で600円からとなります。
※2,500円以上の購入で送料無料。
※多数ご購入頂いた場合は、宅配便での発送になる場合があります。
■ただいま、オリジナルカレンダーをプレゼントしております。
■送料無料の「もったいない本舗本店」もご利用ください。
メール便送料無料です。
■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。
■「非常に良い」コンディションの商品につきましては、新品ケースに交換済みです。
■中古品ではございますが、良好なコンディションです。
決済はクレジットカード等、各種決済方法がご利用可能です。
■万が一品質に不備が有った場合は、返金対応。
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■商品状態の表記につきまして・非常に良い：　　非常に良い状態です。
再生には問題がありません。
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EANコード：0683519002927■通常24時間以内に出荷可能です。
※繁忙期やセール等、ご注文数が多い日につきましては　発送まで72時間かかる場合があります。
あらかじめご了承ください。
■宅配便(送料398円)にて出荷致します。
合計3980円以上は送料無料。
■ただいま、オリジナルカレンダーをプレゼントしております。
■送料無料の「もったいない本舗本店」もご利用ください。
メール便送料無料です。
■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。
最短翌日配送、手数料298円から■「非常に良い」コンディションの商品につきましては、新品ケースに交換済みです。
■中古品ではございますが、良好なコンディションです。
決済はクレジットカード等、各種決済方法がご利用可能です。
■万が一品質に不備が有った場合は、返金対応。
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■商品状態の表記につきまして・非常に良い：　　非常に良い状態です。
再生には問題がありません。
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◆タイトル: Mozart: Complete Sonatas for Keyboard ＆ Violin◆アーティスト: Mozart / Cooper / Podger◆現地発売日: 2024/03/22◆レーベル: Channel ClassicsMozart / Cooper / Podger - Mozart: Complete Sonatas for Keyboard ＆ Violin CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Channel Classics reissues the 8-CD box-set of Mozart's complete Sonatas for Keyboard and Violin. Rachel Podger and Gary Cooper make this difficult music sound effortless, witty and elegant on the first-ever recording of the complete sonatas on historical instruments. The inclusion of early, middle and late sonatas in this set conveys a balanced survey of Mozart's music for violin and keyboard. Each sonata stands out in it's own right, revealing a snapshot in time of his developing personality. Of the original releases, Gramophone Magazine said that it's impossible to ignore the individuality, vitality and commitment of their performances, while BBC Music Magazine noted that these are characteristically intelligent and insightful performances.

◆タイトル: Handel: Poro, re delle Indie◆アーティスト: Handel / Groviglio / Angioloni◆現地発売日: 2024/03/22◆レーベル: Chateau VersaillesHandel / Groviglio / Angioloni - Handel: Poro, re delle Indie CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]In 1731, at the height of his London fame, Handel created his 28th opera seria: a vocal pyrotechnic about the rivalry, in love and war, between Alexander the Great and the Indian King Porus. Rage and spite, love and glory drive the extraordinary arias that Handel entrusted to two of his favourite singers: the castrato star Senesino for the title role, and the soprano Anna Maria Strada del P? as the treacherous Cleofide. It was a sign of the work's success and the prestige of it's cast. Poro was performed twenty times in 1731, a virtually exceptional figure. The young tenor Marco Angioloni - singing the role of Alexander - brings this opera back to life with his Ensemble Il Groviglio, and a magnificent cast that would have delighted Handel!

◆タイトル: Puccini: Manon Lescaut◆アーティスト: Puccini / Chausson / Kunde◆現地発売日: 2024/04/05◆レーベル: C MajorPuccini / Chausson / Kunde - Puccini: Manon Lescaut CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Grammy Award-winning, velvet voiced (NPR) baritone Will Liverman presents a recital program honoring women in classical music, past and present, on Show Me The Way, his second passion project recording for Cedille. Praised as nothing short of extraordinary (Opera News), Liverman has curated a moving and poignant recital celebrating American female composers from 20th-century trailblazers Florence Price, Margaret Bonds, and Amy Cheney Beach to present-day composers commissioned for this program. This new album, Liverman's second with longtime recital partner pianist Jonathan King, is inspired by and honors the singer's mother, gospel singer Terry Liverman, and their mutual love of song. The Livermans perform together on recording for the first time in their own arrangement of Alma Bazel Androzzo's cherished hymn If I Can Help Somebody. Two new song cycles serve as pillars of the recording: Jasmine Barnes' A Sable Jubilee with a newly commissioned libretto by Tesia Kwarteng that celebrates Black Joy and Libby Larsen's three movement Machine Head: Ted Burke Poems depicting everyday American life. Liverman premiered the cycles in an extraordinary recital... as meaningful in content as it was rich with his resonant voice-both elements impressive for their range (Aspen Times). Liverman, one of the most versatile singing artists performing today, (Bachtrack) is joined by all-star special guests including J'Nai Bridges in a somber new work by Rene Orth and Ren?e Fleming in Sarah Kirkland Snider's mysterious and affecting Everything That Ever Was. He sings a duet from Amy Beach's rarely performed opera, Cabildo, with Nicole Cabell, featuring violinist Lady Jess and cellist Tahirah Whittington. Also featured on the album are Jonathan King's arrangement of Ella Fitzgerald and Chick Webb's You Show Me The Way originally performed by the duo at New York's Savoy Ballroom, as well as a new work, Spell to Turn the World Around, by Kamala Sankaram, with a text that calls awareness to the destruction caused by wildfires. This recording follows Liverman's devastatingly beautiful (The Washington Post), Billboard chart-topping and Grammy-nominated Cedille album, Dreams of a New Day: Songs by Black Composers.

◆タイトル: J.S. Bach ＆ Shostakovich: Salvation - Vocal ＆ Instrumental Music◆アーティスト: Bach / Shostakovich / Mields◆現地発売日: 2024/03/05◆レーベル: Brilliant ClassicsBach / Shostakovich / Mields - J.S. Bach ＆ Shostakovich: Salvation - Vocal ＆ Instrumental Music CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]'I play Bach every day,' said Shostakovich in 1950, at an event to mark the bicentenary of Bach's death. 'For us, Bach's legacy is an embodiment of flaming emotion, soulful humanity and true humanism, which stands in contrast to the dark world of raw evil and contempt for humanity.'Taking their inspiration from these words, and from the palpable influence of Bach on the solid forms and fluent counterpoint of Shostakovich's own music, this quartet of musicians presents an entirely original pairing of the two composers, in which cantata arias and a major song-cycle are linked and interspersed by instrumental interludes.The German soprano Dorothee Mields is renowned for her piercing musicianship and luminous tone in the music of Bach, working with such illustrious conductors as Rene Jacobs and Philippe Herreweghe. Her contributions to recent recordings in this field have been called 'sensational' and 'ravishing' by Gramophone.Here she sings recitatives and arias from seven cantatas, including the meditative opening movement of 'Ich bin in mir vergn?gt BWV204'. The trio-sonata accompaniment brings her expressive handling of the text to the fore, and prefaces the arias with the G major Sonata BWV1021 for violin and continuo, while Luca Quintavalle contributes the sixth Prelude and Fugue from Book 2 of 'The Well-Tempered Clavier'. Switching to piano for Shostakovich, Quintavalle plays the D major Prelude and Fugue from the Russian composer's counterpart to the WTC. The early Piano Trio No.1 makes a Romantically yearning preface to the late settings of Alexander Blok which Shostakovich composed alongside the song-cycle Fourteenth Symphony. These songs find the composer at his most introspective, unsparing and yet rewarding of the subtlety which Mields brings to them. The idioms of Bach and Shostakovich complement as much as they contrast, and they are drawn together here by performances of powerful eloquence.

◆タイトル: Earthcycle◆アーティスト: Gordon / Vivaldi / Orchestra of the Swan◆現地発売日: 2024/01/19◆レーベル: Signum ClassicsGordon / Vivaldi / Orchestra of the Swan - Earthcycle CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Following their acclaimed mix-tape series on Signum Classics, Earthcycle is the fifth album from Orchestra of the Swan and David Le Page. Earthcycle is an innovative and timely project which finds a compelling way to engage with humanity's most urgent threat. Through three initial performances, a recording and a film, Earthcycle contem- plates our impact on Earth's environment and the disruption of it's natural rhythms. To celebrate the 300th anniversary of Vivaldi's Four Seasons they have commissioned a new version from our Associate Artist, baroque/jazz musician and composer David Gordon which is interspersed with traditional folk songs related to the theme of the seasons and performed by singer Jackie Oates. Earthcycle highlights the 21st century's greatest concern whilst celebrating nature and our place within it.

◆タイトル: Baermann: Clarinet Quintets◆アーティスト: Baermann / Perry / Schubert Consort Netherlands◆現地発売日: 2024/03/15◆レーベル: Brilliant ClassicsBaermann / Perry / Schubert Consort Netherlands - Baermann: Clarinet Quintets CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]New recordings of early-Romantic quintets by the supreme clarinet virtuoso of his day, an inspiration to Weber and Mendelssohn but also an accomplished composer in his own right.Heinrich Baermann followed in his father's footsteps as a military musician in Prussian Germany, but his career took off once he met Carl Maria von Weber in 1811. Weber was immediately taken with the French-accented brilliance and German richness of tone which Baermann drew from his instrument, and began to write a series of works - including two concertos and a concertino - which still rank among his most inspired instrumental pieces, as well as defining a new sound and reach for the clarinet as a solo instrument Mozart had made a poet out of the clarinet, with his pieces for Anton Stadler; now thanks to Baermann, it could take on multiple roles, as leader, jester, and magus-like figure to complement the likes of Paganini on the violin and Giuliani on the guitar.Weber pushed Baermann's technique to new heights of facility and eloquence, which in return inflected Baermann's own works for his instrument with comparable ambition. He wrote three quintets for clarinet and string ensemble, the first of them more concerto-like in character, the latter two full-scale chamber works. They have been recorded complete only once before, making this new album from a fine team of Dutch musicians all the more welcome.Especially impressive are the slow movements of the quintets, cast as arias without words in order to capitalise on the fluid legato of Baermann's playing, but formed with an economy of means which leaves their themes lingering in the mind's ear. The Adagio of the Op. 23 Quintet was misattributed to Richard Wagner for many years, which speaks for Baermann's craftsmanship, even if it's harmonic language evidently belongs to a generation or two after Mozart. Now restored to it's rightful place, the Adagio is the crown jewel, but there are treasures in store throughout Baermann's clarinet quintets.

◆タイトル: Edward Power Biggs Plays Historic Organs of Europe◆アーティスト: J.S. Bach / L.V. Beethoven / Biggs◆現地発売日: 2024/01/26◆レーベル: Sony SRM ExclusiveJ.S. Bach / L.V. Beethoven / Biggs - Edward Power Biggs Plays Historic Organs of Europe CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]The legendary English organist E. Power Biggs became a household name when his Sunday morning CBS broadcasts introduced radio listeners all over North America to the sound of historic pipe organs and the classical organ repertoire from every period. In a lifelong search for authenticity, the indefatigable Biggs visited places in Holland, North Germany, England, France, Italy, Spain, and Switzerland where some of the great organist-composers of the Renaissance and Baroque had lived and worked. Between 1961 and 1970, Columbia recorded him in a Historic Organs of Europe series, performing music by Bach, Buxtehude, Couperin, Dunstable, Frescobaldi, Andrea and Giovanni Gabrieli, Purcell, Soler, Sweelinck, Tallis and many others. In his original notes to this ambitious project, which Sony Classical is now reissuing complete in a collection of 6 CDs, Biggs wrote: It is fascinating to play a composer's music on the organ he played. You feel that you have touched the lifeline of history... Beethoven's orchestra, Bach's choir are all gone, but the same organs on which great musicians played are still available. When these famous recordings were released on LP, Gramophone's reviewer wrote that the commanding sweep of the whole panorama makes compulsive listening... The enthusiasm of Mr. Power Biggs for his subjects makes him the ideal guide: he can turn his hand to any organ and make a neat job of the music, however recalcitrant the actions may be. His performances are sumptuously recorded. Organ aficionados will relish this new opportunity to experience these musical milestones in this new box set.

◆タイトル: Tchaikovsky: Overtures, Vol. 2◆アーティスト: Tchaikovsky / BBC Scottish Symphony Orchestra◆現地発売日: 2024/03/15◆レーベル: Chandos◆その他スペック: SACD-ハイブリッドTchaikovsky / BBC Scottish Symphony Orchestra - Tchaikovsky: Overtures, Vol. 2 SACD 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Alpesh Chauhan's d?but recording for Chandos - Tchaikovsky: Orchestral Works, Vol. 1 (CHSA 5300) - met with widespread critical acclaim and awards, including recording of the week for both The Times and Presto Music, and the BBC Music magazine's Orchestral Choice. This second volume - with the same forces - offers equally crisp and attentive playing from the BBC Scottish Symphony Orchestra, in another album that mixes well-known and less-heard Tchaikovsky. Three purely orchestral works form the core of the programme: Fatum (an early concert piece inspired by and dedicated to Balakirev), Hamlet (the last of his Shakespeare-inspired pieces), and Capriccio italien. These are interspersed with works conceived for the theatre: the Introduction to his opera The Queen of Spades and excerpts from The Oprichnik (an early opera) and The Snow Maiden (incidental music for a play by Ostrovsky). The album was recorded in Glasgow City Halls in SURROUND-SOUND and is available as a hybrid SACD.

◆タイトル: Century of American Viola Sonatas◆アーティスト: Ewazen / Tcimpidis / Vendryes◆現地発売日: 2024/01/19◆レーベル: ToccataEwazen / Tcimpidis / Vendryes - Century of American Viola Sonatas CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]

◆タイトル: MacDowell, Beach ＆ Barber: Summer Dreams - American Piano Duets◆アーティスト: Barber / Macdowell / Perkins◆現地発売日: 2024/03/15◆レーベル: Brilliant ClassicsBarber / Macdowell / Perkins - MacDowell, Beach ＆ Barber: Summer Dreams - American Piano Duets CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Both Beach and MacDowell were formidably accomplished pianists who wrote concertos in barnstorming virtuoso style, for themselves and their contemporaries to play, but they could also turn their hand to the lucrative domestic market for piano-duet music. In doing so they also tapped into the 19th-century, Romantic preoccupation with childhood which Schumann had encapsulated in his Kinderszenen of 1838.MacDowell wrote his Moon-Pictures Op.21 in the winter of 1884-5 and subtitled them 'after H.C. Andersen's Picture-Book without Pictures', referring to an 1848 collection of short bedtime stories. Published in 1901 and dedicated to the composer's niece, the six duets of the album's title collection, Summer Dreams by Beach, are shorter and technically simpler than the Moon-Pictures, but they are prefaced by literary quotations which once more indicate that this is not music for children so much as music for adults to play to children, and for adults to play at being children. In any case, simpler means and fewer notes need hardly imply naivety of expression, and Beach's self-taught technique was too rigorous to allow anything less than the most deftly fashioned work to escape her desk. Composed in 1883, Beach's brief 3 Movements for piano duet are the work of a prodigiously talented teenager who knows her early-Romantic piano literature - including Kinderszenen - inside out, but who also understands at this stage how to emulate rather than merely copy her models. In the following year of 1884, the 23-year-old MacDowell wrote his 3 Poems Op.20. Strictly speaking, Hamlet and Ophelia is the outlier in this collection, since MacDowell composed it in 1894 as a tone-poem for orchestra in the Lisztian manner, and then made this two-piano transcription rather than leaving the work to the kind of professional arranger habitually commissioned by publishers for such work. Nevertheless, he took the kind of care over it that Brahms did in arranging his symphonies, and the piano-duet version retains the brooding tension of the opening and effectively transfers the violinistic surges of Hamlet's main section to the keyboard. The album's final collection takes a chronological leap forward to 1952, but it's nostalgia-drenched mood belongs to an intermediate age. 'One might imagine a divertissement in a setting of the Palm Court at the Plaza Hotel', Barber explained in a letter to his publisher, 'the year about 1914, epoch of the first tangos. Souvenirs - remembered with affection, not in irony or with tongue in cheek, but in amused tenderness.' Barber, it should be noted, would have been four years old at the time, and so these are 'souvenirs' in the manner of sepia-tinted postcards.

◆タイトル: Consorts Flat ＆ Sharp◆アーティスト: Locke / Phantasm◆現地発売日: 2024/01/26◆レーベル: Linn RecordsLocke / Phantasm - Consorts Flat ＆ Sharp CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]1.1 I. Fantazia [03:10] 1.2 II. Galliard [01:13] 1.3 III. Fantazia [02:51] 1.4 IV. Saraband [01:33] 1.5 I. Pavan [03:00] 1.6 II. Ayre [01:14] 1.7 III. Courante [01:01] 1.8 IV. Saraband [00:38] 1.9 I. Pavan [03:00] 1.10 II. Ayre [00:52] 1.11 III. Courante [01:05] 1.12 IV. Saraband [00:48] 1.13 I. Pavan [03:08] 1.14 II. Ayre [01:33] 1.15 III. Courante [00:56] 1.16 IV. Saraband [00:38] 1.17 I. Fantazia [03:31] 1.18 II. Courante [01:27] 1.19 III. Fantazia [03:07] 1.20 IV. Saraband [01:45] 1.21 I. Pavan [02:47] 1.22 II. Ayre [01:01] 1.23 III. Courante [01:06] 1.24 IV. Saraband [00:56] 1.25 I. Pavan [02:17] 1.26 II. Ayre [00:50] 1.27 III. Courante [01:06] 1.28 IV. Saraband [00:39] 1.29 I. Fantazia [03:01] 1.30 II. Galliard [01:26] 1.31 III. Fantazia [03:48] 1.32 IV. Saraband [01:35In this recording, the expert violists of Phantasm return to the unconventional yet brilliant polyphonist Matthew Locke. Under the guidance of Laurence Dreyfus, Phantasm presents the second half of Locke's Little Consort, composed for treble, tenor and bass viol, and pairs it with three suites from the Flat Consort for my cousin Kemble whose unusual grouping comprises treble and two bass viols. Both sets are accompanied by a chordal bass instrument, in this instance the leading theorbo player Elizabeth Kenny. Locke's experimental, not to say libertarian, impulse pervades the works, and yet the composer remains grounded in the traditional ethos of strict counterpoint, standing as one of the last champions of the once treasured great polyphonic tradition. More than 400 years later, his music remains as fresh as ever.

◆タイトル: Symphony No. 2 in C Minor - Version 1877◆アーティスト: Bruckner / Philharmonie Festiva◆現地発売日: 2024/01/19◆レーベル: Profil - G HaensslerBruckner / Philharmonie Festiva - Symphony No. 2 in C Minor - Version 1877 CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Anton Bruckner's Second Symphony is certainly one of the most interesting symphonies in the cycle, even for musical amateurs, due to a number of special features. Inside Bruckner 2024: The complete symphonies in all essential versions.

◆タイトル: C. Schumann ＆ Clarke: Piano Trios◆アーティスト: Clarke / Schumann / Rigamonti◆現地発売日: 2024/03/15◆レーベル: Brilliant ClassicsClarke / Schumann / Rigamonti - C. Schumann ＆ Clarke: Piano Trios CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]This pair of piano trios has become recognised in recent years as among the finest works by their composers, and they make a complementary pairing despite their contrasting idioms. This new recording also makes a fine showcase for a trio of Italian siblings who have won many prizes in chamber-music competitions and give recitals across Italy as Trio Rigamonti.Completed in 1846, the G minor Piano Trio of Clara Schumann thus postdates her early piano pieces by decades, and is accordingly a much more mature and accomplished work. She handles the piano-trio dynamic with great skill, balancing her piano part against the strings with sensitivity, and the whole piece is shot through with a pathos that bears comparison with contemporary works by both her husband and her friend Brahms.While there is no shortage of light and shade to the second theme of the first movement and the playful central Scherzo, the expressive pull of Clara Schumann's Piano Trio draws the listener towards the piano's deeply felt introduction to the slow movement, which achieves remarkable pathos within it's relatively brief duration. The turbulent finale skilfully balances the scale of the first movement, and the whole piece ranks among the most satisfying of 19th-century piano trios.It's counterpart in the early years of the 20th century, hardly less rewarding a contribution to the piano-trio literature than contemporary works by Ravel and Rachmaninoff, is the Piano Trio composed in 1921 by Rebecca Clarke. The angst of Clara's finale is answered and intensified by a gripping confrontation at the start of Clarke's Trio, which does not so much subside as simmer throughout the first movement. The central Andante flows like a free-running brook and yet is achingly lyrical, before the Allegro vigoroso finale spins the listener through a whirling kaleidoscope of music past and future. These trios make a natural pairing in concert and on record and yet they are still too rarely heard, but Trio Rigamonti are passionate advocates.

◆タイトル: Dussek: Complete Piano Sonatas ＆ Sonatinas◆アーティスト: Dussek / Kuijken / Lubimov◆現地発売日: 2024/03/15◆レーベル: Brilliant ClassicsDussek / Kuijken / Lubimov - Dussek: Complete Piano Sonatas ＆ Sonatinas CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]Johann Ladislaus Dussek (1760-1812) was regarded by his contemporaries as one of the foremost keyboard performers and composers of his age. Over a span of three decades, Dussek completed nearly 300 compositions, most of which involve a keyboard instrument. The sonata as a genre holds a special position in his overall oeuvre: keyboard sonatas were among his first published pieces in the early 1780s, and the sonata Op. 77 in F minor was to be his last work before his death in 1812.This set is the result of an extensive recording project using the combined resources of eight excellent fortepianists to produce the first comprehensive recording of Dussek's keyboard sonatas on period instruments. Listeners are invited to take a journey through the brilliant, harmonically beautiful and expressive music of one of the most fascinating composers at the threshold of early Romanticism. While in modern times piano building has been largely standardised, 18th-century instruments were very personal works of art, and their construction differed from town to town and from builder to builder, and even within one builder's output. The distance between cities as far apart as London and Vienna resulted in two distinct schools of piano building: the English and the Viennese.The formidable array of both English and Viennese fortepianos played on this recording (see info below) provides listeners with a parallel journey, alongside through Dussek's music, exploring the great tonal variety that existed amongst fortepianos in the composer's day, with each instrument's unique qualities matched to the differing characters of Dussek's works.

◆タイトル: Upheaval◆アーティスト: Pejacevic / Bosmans / Rastogi◆現地発売日: 2024/01/19◆レーベル: Our RecordingsPejacevic / Bosmans / Rastogi - Upheaval CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]1.1 I. Allegro Maestoso [07:09] 1.2 II. Un Poco Allegretto [04:15] 1.3 III. Adagio [03:21] 1.4 IV. Allegro Molto E Con Fuoco [06:42] 1.5 I. Allegro Moderato [07:04] 1.6 II. Scherzo: Allegro [07:01] 1.7 III. Adagio Sostenuto [07:19] 1.8 IV. Allegro Comodo [06:58] 1.9 Nocturne (Arr. for Cello and Piano) [03:22] 1.10 No. 1. Mod?r? [03:20] 1.11 No. 2. Sans Vitesse Et ? L'aise [01:31] 1.12 No. 3. Vite Et Nerveusement Rythm? [02:43UPHEAVAL is an exceptional project in several aspects. First, it presents four compositions for cello and piano written by female composers from the first part of the 20th century, challenging the cultural norms of the day and secondly, the title Upheaval, also refers to the tumultuous period around the First World War. The works featured on this recording are Henri?tta Bosmans' Sonata for Cello and Piano (1919), Dora Pejacevic's Sonata for Cello and Piano (1913), Nadia Boulanger's Trois pi?ces (1914), and Lili Boulanger's Nocturne (1911), were all written over an eight-year period in France, the Netherlands, and Croatia. Henri?tte Bosmans was one of Holland's greatest pianists, and a composer of great distinction as her sweeping, early Cello Sonata proves. Countess Maria Theodora Paulina (Dora) Pejacevic is rightfully considered the matriarch of Croatian composers. Her Cello Sonata, Opus 35 embodies late romanticism, with influences of Mendelssohn, Brahms and Dvorak particularly evident. The program concludes with works from two amazing sisters: Nadia (1887-1979) and Lili Boulanger (1893-1918). Both were pioneers in their fields (Lili was the First Woman to win the coveted Prix de Rome, and Nadia, for teaching about every major post war composer) and were for many years, two of the best-known women in music in the twentieth century. The artists, the husband-and-wife cello/piano duo of Janne Fredens (cello) and S?ren Rastogi (piano) approach this program with a sense of profound commitment and mission, recognizing that there performances of such unfamiliar repertoire may well serve as a benchmark for future artists. Both are active soloists and teach at the Royal Academy of Music, Aarhus. The chosen instrument for the recording is the Bechstein Gran Piano to match the beautiful tone of Janne's cello, and to give an impression of the periods piano sound. This is a highly recommended recording for fans of unfamiliar chamber music, advocates for women composers and those who just love to hear glorious music played by great musicians with passion and commitment.

◆タイトル: Mompou: Misterios - Transcriptions for Guitar, Vol.1◆アーティスト: Mompou / Ramelli◆現地発売日: 2024/03/15◆レーベル: Brilliant ClassicsMompou / Ramelli - Mompou: Misterios - Transcriptions for Guitar, Vol.1 CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]This album is dedicated to the compositions of Federico Mompou, a composer and pianist of profound sensitivity. He exhibited an early inclination for the piano but, inspired by a Gabriel Faur? concert, he shifted his focus to composition, making his way to Paris to further his study. Mompou's compositional approach was channelled through the piano, which he considered a fundamental tool for connecting with music's essence, so he composed primarily on and for the instrument. There are some exceptions, however: notably his guitar compositions Suite Compostelana (1962) and Can?on i Dansa No.13 (1972).In the guitar's melancholic and evocative timbre, Mompou discovered an ideal medium to express his contemplative and gentle poetic world. The guitar becomes the canvas where sound and silence intertwine, evoking emotionscapable of transporting the listener to archaic places suspended in time.In 2018, Brilliant Classics released Ramelli's recording of Mompou's original guitar compositions. This new album furthers his exploration of the composer's works, taking his piano compositions and reimagining them for the guitar. The collaboration between the guitarist and James Beneteau, who presented Ramelli with these exquisite transcriptions of Mompou's pieces, has been profound.Throughout the transcription journey, Ramelli and Beneteau followed Mompou's scores as a map, transmuting each piece through the lens of contact with the geography of the guitar's unique resonance. Decisions about transcription, instrumentaltechnique, tempo, and dynamics are all intertwined with this listening to the instrument itself. Playing Mompou's music transcribed for guitar is a journey aimed at heightened listening and sensitivity, exploring the spaces between notes through tactile contact with the instrument. This recording captures this creative process and marks the beginning of this ongoing artistic journey.

◆タイトル: J.S. Bach: Mass in B Minor◆アーティスト: Bach / McGegean / Cantata Collective◆現地発売日: 2024/04/05◆レーベル: AvieBach / McGegean / Cantata Collective - J.S. Bach: Mass in B Minor CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]San Francisco-based early music ensemble Cantata Collective continues it's major series of J. S. Bach's choral works with the Mass in B Minor, a towering testament of sacred music and the composer's crowning achievement of his final years. With celebrated conductor Nicholas McGegan, four of today's most distinguished early music vocal soloists and a refined chamber choir, this live recording exudes a spontaneity that reveals the depth and passion of Bach's glorious affirmation of faith.

◆タイトル: Faith In The Future◆アーティスト: Louis Tomlinson◆現地発売日: 2022/11/11◆レーベル: BMG Rights Managemen◆その他スペック: デラックス・エディションLouis Tomlinson - Faith In The Future CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]1.1 The Greatest 1.2 Written All Over Your Face 1.3 Bigger Than Me 1.4 Lucky Again 1.5 Face the Music 1.6 Chicago 1.7 All This Time 1.8 Out of My System 1.9 Headline 1.10 Saturdays 1.11 Silver Tongues 1.12 She Is Beauty We Are World Class 1.13 Common People 1.14 Angels Fly 1.15 Holding on to Heartache 1.16 That's the Way Love GoesDeluxe edition in zine packaging. Includes two bonus tracks. 2022 release from the British singer/songwriter. Faith in the Future is the follow-up to his 2020 album Walls.

◆タイトル: In Relations◆アーティスト: Allitsen / Meyerbeer / Tchakarova◆現地発売日: 2024/01/19◆レーベル: Hanssler ClassicAllitsen / Meyerbeer / Tchakarova - In Relations CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]1.1 Komm, du sch?nes Fischermadchen [02:28] 1.2 Meeresstille [01:53] 1.3 Suleika [03:29] 1.4 5 Ges?nge der Sehnsucht, Heft 3, Op. 9: No. 2. Meine Ruh' ist hin [03:13] 1.5 6 Lieder, Heft 9, Op. 9: No. 3. Die verliebte Schaferin Scapine [02:43] 1.6 12 Ges?nge, Op. 8: No. 8. Hexenlied, MWV K33 [02:46] 1.7 6 Lieder, Op. 57: No. 3. Suleika, MWV K93 [03:32] 1.8 6 Songs, Op. 34: No. 4. Suleika, MWV K92 [03:07] 1.9 12 Lieder, Op. 9: No. 12. Fanny Hensel: Die Nonne [02:43] 1.10 Lieder und Ges?nge II, Op. 51: No. 5. Liebeslied [02:31] 1.11 Lieder und Ges?nge, Book 3, Op. 77: No. 5. Auftr?ge [02:51] 1.12 No. 2. Viel Gluck zur Reise, Schwalben! [00:58] 1.13 No. 6. Die letzten Blumen starben [01:58] 1.14 3 Lieder, Op. 7: No. 1. Du bist wie eine Blume [02:12] 1.15 2 Ges?nge: No. 2. Das Schl?sselloch im Herzen [03:38] 1.16 2 Ges?nge, Op. 63: No. 1. Die Schneeflocke [02:42] 1.17 5 Ges?nge der Sehnsucht, Heft 4, Op. 9: No. 4. Ihr Spaziergang [03:00] 1.18 No. 8. Katherine [03:01] 1.19 No. 6. Mag da drau?en Schnee sich t?rmen [01:22] 1.20 No. 4. Die Botschaft [02:20] 1.21 Myrthen, Op. 25: No. 25. Aus den ostlichen Rosen [01:54] 1.22 Lieder und Ges?nge aus Wilhelm Meister, Op. . No. 7. Singet nicht in Trauert?nen [02:38]Music and lyrics by women and men It is only natural that the spirit of the Romantic era should embrace, envelop and encircle the male and female composers and lyricists on this album in their depiction of wistful longing - the omnipresent theme of the era. But this is not the only point of reference behind this concept. The deeper one delves into the life stories and works of these artists, the more complex and far-reaching the network of associations proves to be. In Relation is an invitation to plunge into the associative field of 19th-century words and music and it shows that the connexions between the two arts and their male and female practitioners were more extensive than one might imagine

◆タイトル: Der Wanderer; Wander Fantasie Song Transcriptions◆アーティスト: Schubert / Miglietta◆現地発売日: 2024/01/19◆レーベル: Piano ClassicsSchubert / Miglietta - Der Wanderer; Wander Fantasie Song Transcriptions CD アルバム 【輸入盤】※商品画像はイメージです。
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[楽曲リスト]1.1 Allegro Con Fuoco Ma Non Troppo - [05:54] 1.2 Adagio - [06:14] 1.3 Presto - [07:04] 1.4 Allegro [05:12] 1.5 4 Impromptus, Op. 90, D. 899: No. 3 Ing-Flat Major [03:46] 1.6 12 Lieder Von Schubert, S558/R243: No. 3. Du Bist Die Ruh [04:59] 1.7 Schubert - M?llerlieder, S565/R249: No. 1. Das Wandern [01:45] 1.8 Schwanengesang, D. 957: No. 5. Aufenthalt (Arr. F. Liszt) [03:07] 1.9 Schubert - M?llerlieder, S565/R249: No. 5. Wohin? [02:52] 1.10 No. 11. Der Wanderer [05:55] 1.11 No. 8. Gretchen Am Spinnrade [03:59] 1.12 Schwanengesang, D. 957: No 1.13 Der Doppelg?nger (Arr. F. Liszt) [03:48] 1.14 12 Lieder Von Schubert, S558/R243: No. 9. St?ndchen (Horch, Horch! Die Lerch!) [02:48] 1.15 4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major [04:46]Schubert had been dead for seven years when, in 1838, the 27-year-old Liszt returned to Vienna for the first time since his childhood, when he had been taken to see Beethoven by his teacher Czerny an, perhaps apocryphally, been blessed by a kiss from the old man. Now apparently discovering the songs of Schubert for the first time, he began to produce transcriptions of Lieder almost as rapidly as they had been written in the first place. Within eight years, Liszt had produced 56 such transcriptions from the treasury of Schubert's Lieder, which are models of their kind: faithful, ingenious and gratifying to play. Giovanni Doria-Miglietta includes eight of them in this beautifully curated tribute from one genius to another: Du bist die Ruh; Das Wandern; Aufenthalt; Wohin; Gretchen am Spinnrade; Der Doppelg?nger; St?ndchen, and Der Wanderer. The last of these Lieder had supplied Schubert with the melodic idea for a fantasy of his own which stands as his most brilliantly virtuosic work for the piano. Dating from 1822, the Wanderer Fantasy makes hardly less prodigious demands on the performer than the Hammerklavier Sonata of Beethoven from five years earlier, and in places is more awkwardly written. As the great pianist of his own age, Liszt rewrote the Fantasy in an act of homage, firstly as a concerto, then a solo piece, and this lesser-known version is recorded here by Giovanni Doria Miglietta. As the pianist remarks in his own analytical essay for the album, Liszt did not seek to elaborate or decorate Schubert's writing, the way his successors such as Alkan and Godowsky did in their tributes to Chopin. Rather, Liszt tends to replace sequences in arpeggios with passages of repeated chords or alternating octaves, and he often amuses himself by inserting additional voices (often in the left hand) enriching the polyphonic fabric. Many of these passages are pianistically more effective and in some cases technically more manageable. Finally, Doria-Miglietta includes Liszt's more complex rewritings of two Impromptus. In D899 No.2 he does indeed make the harmony more complex and the effect more brilliant, whereas he leaves the divine simplicity of No.3 almost untouched except for changing the key from G flat to G major, perhaps to make it easier to play for the amateur pianist. Giovanni Dora-Migletta has attracted glowing reviews for previous Piano Classics albums which have focused on the art of transcription. 'This is a fabulous disc, operating both as a celebration of Earl Wild and, indeed, of the art of transcription itself. Brilliantly recorded... and with Dora Miglietta's impeccable technique and musicianship as our guiding force, this is a splendid addition to the Earl Wild discography.' Fanfare, September 2019 (PCL10175)

◆タイトル: Der Wanderer; Wander Fantasie Song Transcriptions◆アーティスト: Schubert / Miglietta◆現地発売日: 2024/01/19◆レーベル: Piano ClassicsSchubert / Miglietta - Der Wanderer; Wander Fantasie Song Transcriptions CD アルバム 【輸入盤】※商品画像はイメージです。
デザインの変更等により、実物とは差異がある場合があります。
※注文後30分間は注文履歴からキャンセルが可能です。
当店で注文を確認した後は原則キャンセル不可となります。
予めご了承ください。
[楽曲リスト]1.1 Allegro Con Fuoco Ma Non Troppo - [05:54] 1.2 Adagio - [06:14] 1.3 Presto - [07:04] 1.4 Allegro [05:12] 1.5 4 Impromptus, Op. 90, D. 899: No. 3 Ing-Flat Major [03:46] 1.6 12 Lieder Von Schubert, S558/R243: No. 3. Du Bist Die Ruh [04:59] 1.7 Schubert - M?llerlieder, S565/R249: No. 1. Das Wandern [01:45] 1.8 Schwanengesang, D. 957: No. 5. Aufenthalt (Arr. F. Liszt) [03:07] 1.9 Schubert - M?llerlieder, S565/R249: No. 5. Wohin? [02:52] 1.10 No. 11. Der Wanderer [05:55] 1.11 No. 8. Gretchen Am Spinnrade [03:59] 1.12 Schwanengesang, D. 957: No 1.13 Der Doppelg?nger (Arr. F. Liszt) [03:48] 1.14 12 Lieder Von Schubert, S558/R243: No. 9. St?ndchen (Horch, Horch! Die Lerch!) [02:48] 1.15 4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major [04:46]Schubert had been dead for seven years when, in 1838, the 27-year-old Liszt returned to Vienna for the first time since his childhood, when he had been taken to see Beethoven by his teacher Czerny an, perhaps apocryphally, been blessed by a kiss from the old man. Now apparently discovering the songs of Schubert for the first time, he began to produce transcriptions of Lieder almost as rapidly as they had been written in the first place. Within eight years, Liszt had produced 56 such transcriptions from the treasury of Schubert's Lieder, which are models of their kind: faithful, ingenious and gratifying to play. Giovanni Doria-Miglietta includes eight of them in this beautifully curated tribute from one genius to another: Du bist die Ruh; Das Wandern; Aufenthalt; Wohin; Gretchen am Spinnrade; Der Doppelg?nger; St?ndchen, and Der Wanderer. The last of these Lieder had supplied Schubert with the melodic idea for a fantasy of his own which stands as his most brilliantly virtuosic work for the piano. Dating from 1822, the Wanderer Fantasy makes hardly less prodigious demands on the performer than the Hammerklavier Sonata of Beethoven from five years earlier, and in places is more awkwardly written. As the great pianist of his own age, Liszt rewrote the Fantasy in an act of homage, firstly as a concerto, then a solo piece, and this lesser-known version is recorded here by Giovanni Doria Miglietta. As the pianist remarks in his own analytical essay for the album, Liszt did not seek to elaborate or decorate Schubert's writing, the way his successors such as Alkan and Godowsky did in their tributes to Chopin. Rather, Liszt tends to replace sequences in arpeggios with passages of repeated chords or alternating octaves, and he often amuses himself by inserting additional voices (often in the left hand) enriching the polyphonic fabric. Many of these passages are pianistically more effective and in some cases technically more manageable. Finally, Doria-Miglietta includes Liszt's more complex rewritings of two Impromptus. In D899 No.2 he does indeed make the harmony more complex and the effect more brilliant, whereas he leaves the divine simplicity of No.3 almost untouched except for changing the key from G flat to G major, perhaps to make it easier to play for the amateur pianist. Giovanni Dora-Migletta has attracted glowing reviews for previous Piano Classics albums which have focused on the art of transcription. 'This is a fabulous disc, operating both as a celebration of Earl Wild and, indeed, of the art of transcription itself. Brilliantly recorded... and with Dora Miglietta's impeccable technique and musicianship as our guiding force, this is a splendid addition to the Earl Wild discography.' Fanfare, September 2019 (PCL10175)